| | #1 |
| Water Boy | Since the last book thread seems to have disappeared, I thought I'd start a new one for my fellow erudite forum-goers. I am currently reading Dan Brown's The Lost Symbol. I almost feel guilty reading Dan Brown, due to the plethora of quasi-intellectuals posting on the internet telling me that Brown's plots are ludicrous and written in a populist, low-brow style. But I enjoy the books, even if the villian in this one is a little far-fetched. What are you reading? |
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| | #2 |
| Sixth Man Join Date: Jun 2008
Posts: 4,790
: 0 For This Post 1 Total | The internets, mostly. But living in DC, I want to get cracking on that Dan Brown book. Damn the smarties. |
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| | #3 |
| Sixth Man Join Date: Jun 2008
Posts: 3,012
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| | #4 |
| Sixth Man Join Date: Jul 2008 Location: F-f-f-f-Flintown
Posts: 3,941
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| | #5 |
| Water Boy Join Date: Jun 2008
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| | #6 |
| Water Boy Join Date: Jul 2008
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| | #7 |
| Starter Join Date: Jun 2008
Posts: 11,082
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The book is a departure for Joseph Heller, not really being a novel or pretending to novelistic form, but consisting rather of a set of reflections on the loosely related themes of war and its stupidity, justice and the lack of it, money, and government. Scattered through the book is a good deal of material about the painting itself, the circumstances of its creation, the model who posed for Aristotle, the bust of Homer, the commission that led to this picture as well as several others, plus its pedigree (that is, the list of people who successively owned it as it made its way from Amsterdam to Sicily to England to the Metropolitan). This material is more or less directly about the painting. Then there is something about Aristotle, the historical Aristotle, who lived from 384 to 322 B.C. But there is not very much about Aristotle, partly because not very much is known about the philosopher, partly because his life does not contain many good stories. Philip of Macedonia and Alexander the Great enter into Aristotle's biography, though only allusively into Mr. Heller's picture, and there is something about them. But Aristotle is largely overshadowed by Plato, who isn't in Rembrandt's painting at all. Mr. Heller regards Plato with a mixture of contempt and reverence, ridiculing his ''Republic'' but copying or closely paraphrasing long sections of the dialogues describing the trial and death of Socrates. The story of Socrates is directed at the moral that good guys very often fall victim to the machinations of bad guys, and this is very likely true, though its relation to the picture in the Metropolitan is a matter for private speculation. Aristotle has a second presence in Mr. Heller's book; he is the pigment-person on the canvas, endowed for the moment with his own set of responses to and reflections on the situation in which he has been placed. He is not much impressed with the model who is impersonating him, or with the painter who is portraying him; and he is distinctly miffed when persons looking at the picture mistake him for someone else. There is an account of the Peloponnesian War, largely based on, modeled after or cribbed from the history of Thucydides, with a few added touches from Plutarch's lives of Pericles and Alcibiades. This story, which stands quite independent of Rembrandt's picture, incorporates a number of the best-known episodes from Thucydides, such as the deepening civil conflict and ultimate massacre on the island of Corcyra, the extraordinarily tough-minded debate leading up to the extermination of the city of Melos and the fatal climax in which the Athenian expedition against Syracuse came to cataclysmic defeat. The story is directed at the moral that wars are pointless and destructive; and this also is very likely true, though, in fact, a summary history of the rise of the Dutch Republic in the 17th century seems to offer grounds for an opposing point of view. Among the major digressions are scattered numerous minor ones, on the history of the herring trade, the Dutch settlement of New Amsterdam, the deleterious effects of a money economy and the several iniquities of democracy and imperialism. ''Picture This'' is a volume crowded with peremptory opinions on questionable matters, which makes the occasional cheerful confession of ''I don't know and I don't care'' particularly welcome. By and large, Mr. Heller takes a sarcastic view of history, which he tends to look on as blind repetitions of pointless cycles of greed, brutality and ignorance. Needless to say, there's no lack of material to illustrate that point of view, especially when one isn't tied down to any special time, place or topic. Ideal commonwealths are just as bad as actual ones, perhaps worse; Mr. Heller treats the whole panorama of history past and present with the bravado of Mark Twain in one of his sassier moods. He likes to list a lot of unrelated events that took place in the same historical period by way of emphasizing their absurd disparity. The animation of Aristotle the painted figure is another of the book's small jokes, and there is a concentrated little shtick about imitation: if Rembrandt imitates one of his imitators, who is imitating whom? Mr. Heller writes in one-liners; their unrelatedness seems aimed at comic effect, but sometimes reaches such extremes that the chief effect is incoherence: ''He [ probably the cartographer Gerhardus Mercator ] was the fourth of five sons in a family of eight living children, the ninth child of a total ten, and the terms agreed to in the Twelve Years' Truce with Spain were dictated by the Dutch, who were introducing tea from China into Europe while Henry Hudson, an Englishman employed by the Dutch, was exploring the eastern coast of North America and found the river that bears his name. ''Dutch prostitutes working the docks preferred tea leaves to money as payment. ''So struck was Hudson by the breadth of the entrance to the Hudson River that he assumed he had made that momentous discovery of a northwest sea- passage to the Pacific and Indian oceans. ''Whereas, in truth, he had not even discovered a river. ''The Hudson River is not a river, although some may wish to argue. ''The East River on the opposite side of the island of Manhattan is not a river either. Four of the five boroughs of the City of New York, the country's finest, are not on the continental mainland. ''The explorer Henry Hudson was set adrift in a small boat with his son by a mutinous crew and was never seen again. ''Rembrandt's father was a miller, his mother the daughter of a baker. . . .'' Without pretending to have traced all the sources on which Mr. Heller drew for ''Picture This,'' I can say that many of them are first-rate - and as for being irrelevant to one another, or to anything else in particular, that was evidently part of the comic intent. So I would say it represents very spaced-out writing. It may be funky as well, and for all I know it's awesome. |
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| | #8 |
| Water Boy Join Date: Jul 2008
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| | #9 |
| Water Boy Join Date: Jul 2008
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| | #10 |
| Starter Join Date: Jun 2008
Posts: 11,082
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| | #11 |
| Water Boy Join Date: Jul 2008
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| | #12 |
| Starter Join Date: Jun 2008
Posts: 11,082
: 0 For This Post 0 Total | Dunno. I'm not a reader of the canon either. Catch-22 is something else. It is totally suitable and relevant in the Age of Irony. On every college syllabus, but still actually feels relevant. Plus, there's Heller himself. I'm sure I've told this story before, but 20 years after it was published, Heller was asked in an interview why he hasn't written anything as good since then. Heller's answer was ``Well, no one else has either''. You gotta read a guy who can come up with that for an answer to that question. |
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| | #13 |
| Sixth Man Join Date: Jun 2008
Posts: 4,790
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| | #14 |
| Sixth Man Join Date: Jun 2008 Location: Los Angeles, CA
Posts: 3,211
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| | #15 |
| Water Boy Join Date: Jun 2008
Posts: 776
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| | #16 |
| Sixth Man Join Date: Jul 2008 Location: F-f-f-f-Flintown
Posts: 3,941
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| | #17 |
| Starter Join Date: Jun 2008
Posts: 11,082
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| | #18 |
| Sixth Man Join Date: Jul 2008 Location: F-f-f-f-Flintown
Posts: 3,941
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| | #19 |
| Sixth Man Join Date: Jun 2008
Posts: 4,790
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| | #20 |
| Starter Join Date: Jun 2008
Posts: 11,082
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| | #21 |
| Starter Join Date: Jul 2008 Location: Long Island City, NY
Posts: 9,844
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__________________ 2011- Oh Bismack, where art thou? |
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| | #22 |
| Water Boy Join Date: Jun 2008
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| | #23 |
| Sixth Man Join Date: Jun 2008
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| | #24 |
| Water Boy Join Date: Jun 2008
Posts: 776
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| | #25 |
| Sixth Man Join Date: Jun 2008
Posts: 4,790
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| | #26 | |
| Sixth Man Join Date: Jul 2008 Location: F-f-f-f-Flintown
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| | #27 |
| Starter Join Date: Jun 2008
Posts: 11,082
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| | #28 |
| Sixth Man Join Date: Jun 2008
Posts: 4,790
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| | #29 |
| Sixth Man Join Date: Jul 2008 Location: F-f-f-f-Flintown
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| | #30 |
| Water Boy Join Date: Jul 2008
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| | #31 |
| Bench Player Join Date: Jun 2008 Location: Charlotte, NC
Posts: 1,154
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| | #32 |
| Sixth Man | I'm reading the new Wheel of Time book, Sanderson seems to have picked up well for Jordan. |
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| | #33 |
| Water Boy Join Date: Jul 2008
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| | #34 |
| Water Boy Join Date: Jul 2008
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| | #35 |
| Bench Player Join Date: Jun 2008 Location: Charlotte, NC
Posts: 1,154
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| | #36 |
| Water Boy Join Date: Jul 2008
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| | #37 | |
| Sixth Man | Quote:
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| | #38 |
| Sixth Man Join Date: Jun 2008 Location: Los Angeles, CA
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| | #39 |
| Sixth Man Join Date: Jun 2008
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| | #40 |
| Sixth Man Join Date: Jun 2008 Location: Los Angeles, CA
Posts: 3,211
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| | #41 |
| Sixth Man | Yeah, Sanderson's book is a much quicker read than Jordan's last few in that series. |
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| | #42 |
| Water Boy Join Date: Jul 2008
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| | #43 |
| Starter Join Date: Jun 2008
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| | #44 |
| Sixth Man Join Date: Jul 2008 Location: F-f-f-f-Flintown
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| | #45 |
| Sixth Man Join Date: Jun 2008 Location: Los Angeles, CA
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| | #46 |
| Starter Join Date: Jun 2008
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| | #47 |
| Sixth Man Join Date: Jun 2008
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| | #48 |
| Water Boy Join Date: Jun 2008
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| | #49 |
| Sixth Man Join Date: Jun 2008 Location: Los Angeles, CA
Posts: 3,211
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| | #50 |
| Starter Join Date: Jun 2008
Posts: 11,082
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